After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.

After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.

After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.

After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.

After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.

After successfully staging two interdisciplinary art exhibitions during my studies in London, I continued my curatorial endeavors in Berlin, staging shows that presented a focus on the confluence between challenging music, performances, spatial design and visual art, while also receiving funding from by the german government for some of these events, as they were deemed culturally relevant.

These new iterations were held in various locations, such as the historic cellar vault of the SevenStarGallery, the Künstleratelier West Germany, or the Acud Macht Neu, under the names 'Sonic Environments' (2018, 2019, 2022), 'Spirit Domain' (2019) and 'Empirical Space' (2020), respectively.
Some of these events have received cultural funding from the German government, as well as private sponsoring.